
The Who - BBC Sessions
Year/Label: 2000 Polydor Records | CD#: 547 727-2
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One of the most creative and explosive bands of the '60s, the Who didn't record an official live album until 1970. For fans of the revved-up, introspective, and humorous fare that made records such as My Generation, Sell Out, and A Quick One instant classics, 1970 was a good three years too late. Rather than referring to sometimes-dodgy bootlegs to discover what "Pictures of Lily," "Disguises," or "Anyway, Anyhow, Anywhere" sounded like live, we are now presented with a surprisingly clear document of the band at--arguably--their peak. The CD, culled from archival live-in-the-studio radio broadcasts made between '65 and '73, keeps all the radio-announcer introductions and short interview segments intact, with a few bonus, real-life Sell Out jingles for good effect. A fabulous portrait of the artists as a young band, the disc brims with minor revelations--chief among them that they were pretty sorry as an R&B outfit and that (surprise) with Moon, Entwhistle, and Townshend bashing about, even a midtempo number like "Happy Jack" was a total scorcher live.
| “ | A fine compilation of 1965-73 BBC performances, the majority of the tracks hailing from 1965-67, although some are drawn from 1970 and 1973. As one of the best live bands ever, the Who as expected come through pretty well in the live-in-the-studio environment, although the arrangements usually stick close to the records. Most of the songs were done by the group for studio releases as well, but there are a few covers that they never put on their albums or singles at the time, making this essential for the fan. Those numbers include the obscure James Brown tune "Just You and Me, Darling," "Dancing in the Street," ""Good Lovin'," and "Leaving Here" (although a mid-1960s studio version of that last song was eventually released). Of the other tracks, particularly worthwhile are "Anyway, Anyhow, Anywhere," with its extensive feedback solo, quite a challenge to do live in May 1965; "The Good's Gone," which has a fuzz solo not on the studio version; and the 1970 performance of "Shakin' All Over," which might be the best rendition of that concert staple that they ever did. This does not have a few BBC songs that have shown up on bootlegs; particularly unfortunate exclusions are "So Sad About Us," "Summertime Blues," and their 1966 cover of the Everly Brothers' "Man with Money."
Richie Unterberger, AMG (4.5 out of 5 stars) | ” |
| “ | This compilation culls eight years of live in-studio performances for the BBC, broken up with introductions by the smooth and hearty Beeb announcers. The early Who romp through covers with breathtaking confidence -- there's nothing sedulous about the crashing, sugar-free "Good Lovin'." They turn the blues into a stately twist with James Brown's "Just You and Me, Darling" and play "Shakin' All Over" as properly spectral. Encompassing the Who's prime years, The BBC Sessions delineates how the band resolved social and musical anxieties of the age, youthful frustration careening like an American muscle car on "Disguises," "Substitute," "I'm Free" and a funkified "Relay" (after which Keith Moon must have collapsed); British eccentricity takes a droll promenade with "Happy Jack," "A Quick One (While He's Away)" and John Entwistle's "Boris the Spider." But more than anything, The BBC Sessions highlights how mad, bad and dangerous the Who were in 1965.
Arion Berger, Rolling Stone (4 out of 5 stars) | ” |
BBC Sessions by The Who was released 15 February 2000 on Polydor Records internationally and MCA Records in the United States. It contains 24 songs and two jingles recorded live at the BBC studios in London.
With the exception of the jingles being used to bookend the album, and the third track being misplaced, The Who's recordings are presented here in chronological order.
Track List:
1. "My Generation (BBC Radio 1 jingle)" – 0:57
2. "Anyway, Anyhow, Anywhere" (Townshend and Roger Daltrey) – 2:44
3. "Good Lovin'" (Rudy Clark and Arthur Resnick) – 1:49
4. "Just You and Me, Darling" (James Brown) – 2:01
5. "Leaving Here" (Holland-Dozier-Holland) – 2:34
6. "My Generation" – 3:23
7. "The Good's Gone" – 2:59
8. "La-La-La-Lies" – 2:11
9. "Substitute" – 3:30
10. "Man with Money" (Don Everly, Phil Everly) – 2:31
11. "Dancing in the Street" (William "Mickey" Stevenson, Marvin Gaye, Ivy Jo Hunter) – 2:23
12. "Disguises" – 2:57
13. "I'm a Boy" – 2:39
14. "Run Run Run" – 3:16
15. "Boris the Spider" (John Entwistle) – 2:13
16. "Happy Jack" – 2:09
17. "See My Way" (Daltrey) – 1:50
18. "Pictures of Lily" – 2:34
19. "A Quick One, While He's Away" – 7:01
20. "Substitute" version 2 – 2:12
21. "The Seeker" – 3:04
22. "I'm Free" – 2:24
23. "Shakin' All Over" / "Spoonful" (Johnny Kidd and Willie Dixon) – 3:41
24. "Relay" – 4:56
25. "Long Live Rock" – 3:52
26. "Boris the Spider" (BBC Radio 1 jingle) (Entwistle) – 0:10
All tracks written by Pete Townshend, unless stated otherwise
Due to publishing restrictions, the American version dropped "Man with the Money" and edited out the few lines from "Spoonful" contained in "Shakin' All Over".
EAC FLAC LOGExact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 28. October 2009, 16:29
The Who / BBC Sessions
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 0:59.10 | 0 | 4434
2 | 0:59.10 | 2:44.30 | 4435 | 16764
3 | 3:43.40 | 1:50.10 | 16765 | 25024
4 | 5:33.50 | 2:02.02 | 25025 | 34176
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7 | 13:35.30 | 2:59.35 | 61155 | 74614
8 | 16:34.65 | 2:26.05 | 74615 | 85569
9 | 19:00.70 | 3:30.50 | 85570 | 101369
10 | 22:31.45 | 2:31.67 | 101370 | 112761
11 | 25:03.37 | 2:24.48 | 112762 | 123609
12 | 27:28.10 | 3:45.55 | 123610 | 140539
13 | 31:13.65 | 2:39.45 | 140540 | 152509
14 | 33:53.35 | 3:17.45 | 152510 | 167329
15 | 37:11.05 | 2:47.37 | 167330 | 179891
16 | 39:58.42 | 2:10.68 | 179892 | 189709
17 | 42:09.35 | 1:50.07 | 189710 | 197966
18 | 43:59.42 | 2:35.28 | 197967 | 209619
19 | 46:34.70 | 7:01.70 | 209620 | 241264
20 | 53:36.65 | 2:14.00 | 241265 | 251314
21 | 55:50.65 | 3:06.20 | 251315 | 265284
22 | 58:57.10 | 2:24.32 | 265285 | 276116
23 | 61:21.42 | 3:41.10 | 276117 | 292701
24 | 65:02.52 | 5:16.60 | 292702 | 316461
25 | 70:19.37 | 3:56.70 | 316462 | 334231
26 | 74:16.32 | 0:10.18 | 334232 | 334999
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Recording and broadcast detailsTracks two, four, and five recorded 24 May 1965, at Aeolian Hall, London.
Broadcast on Saturday Club, 29 May 1965.
Produced by Jimmy Grant and Brian Willey.
Track three recorded 15 June 1965, at Aeolian Hall, London.
Broadcast on Top Gear, 19 June 1965.
Produced by Bernie Andrews.
Tracks six, seven, and eight recorded 22 November 1965, at Aeolian Hall, London.
Broadcast on Saturday Club, 27 November 1965.
Produced by Jimmy Grant & Brian Willey.
Tracks nine, 10, and 11 recorded 15 March 1966, at Aeolian Hall, London.
Broadcast on Saturday Club, 19 March 1966.
Produced by Jimmy Grant & Brian Willey.
Tracks 12 and 13 recorded 13 September 1966, at the BBC Playhouse Theatre, London.
Broadcast on Saturday Club, 17 September 1966.
Produced by Jimmy Grant & Brian Willey.
Tracks 14, 15, 16, and 17 recorded 17 January 1967, at the BBC Playhouse Theatre, London.
Broadcast on Saturday Club, 21 January 1967.
Produced by Bill Bebb & Jimmy Grant.
Tracks 1, 18, 19, and 26 recorded 10 October 1967, at De Lane Lea Studio, Kingsway, London.
Broadcast on Top Gear, 15 October 1967.
Produced by Bernie Andrews & Bev Phillips.
Tracks 20, 21, 22, and 23 recorded 13 April 1970, at IBC Studios, London.
Broadcast on the Dave Lee Travis show, 19 April 1970.
Produced by Paul Williams.
Tracks 24 and 25 recorded 29 January 1973, at the BBC Television Centre, Wood Lane, London, using previously recorded backing tracks.
Broadcast on the Old Grey Whistle Test, BBC Two, 30 January 1973.
Produced by Michael Appleton.
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